Unchained Psychopath(ic) Gangsters

In the past month I have seen 3 new films: Django Unchained, Gangster Squad and Seven Psychopaths. This is unusual because I rarely go to the cinema more than once a month – I don’t consider most new films worthy of my time and money – but I currently have a part-time job that enables me to see new films for free. I’ve left each of these three films really disappointed and, more significantly, quite disturbed.

I’m disappointed that in each film, gratuitous, unrealistic death scenes were more prevalent than witty dialogue and character development. Violence is portrayed as comic-book-like; bodies exploding like dynamite-infused pumpkins, blood squirting across the room like a crushed fruit-punch-flavoured juice box.

I’m disturbed that violence is the emphasis of these stories – classified as revenge/justice/psychopathic sadism. And the stars of these films were not handsome, rugged, American men – they are guns. With the recent mass murders in the US, I have to wonder if there needs to be more responsibility taken in the artistic community (specifically film but this could apply to gaming and music as well) to account for the glorification of gun use and trivialization of murder? 

I can’t help but assume that mainstream entertainment is more violent – and the violence is treated more flippantly – than ever before in history. I think this has very serious ramifications on culture. Violent entertainment affects some people more than others, and some people have a stronger filter – the understanding that what they’re seeing on-screen is not a depiction of reality. But what about young people whose minds haven’t developed enough to clearly make that distinction? What if the majority of the entertainment they’re subjected to is in support of gun use, the necessity of violence to solve conflict and justification for retribution? This can’t help but inform their world-view, right? (And I won’t even get into those young people who are actuallysubjected to violence, let alone exposed to guns; that’s a much more complex, disturbing topic.)

I ardently oppose censorship and I don’t think government intervention is necessary … but something significant has to be done here – and it has to come from inside. Responsibility has to be taken by the people creating violent entertainment for mass consumption. At the very least, I would like to hear influential artists like Tarantino admit that gratuitous violence and the obsessive featuring of guns in entertainment is unhealthy for society. But I don’t think that’s going to happen.

Five Favourite Podcasts

I really love podcasts and here are five that I listen to regularly, in order of preference:

5. Here’s the Thing – WNYC New York, hosted by actor Alec Baldwin.
4. Sound Opinions – WBEZ Chicago, hosted by American music critics Jim DeRogatis and Greg Kot.
3. The Moth – American storytelling series.
2. Q with Jian Ghomeshi – Canadian Broadcasting Corporation.
1. This American Life – WBEZ Chicago, hosted by Ira Glass. The pinnacle of the storytelling podcast format.

Happy Anniversary London

I arrived in London exactly ONE YEAR AGO today. It has been a long-standing goal of mine to live abroad for at least a year before turning thirty and today, I achieved that goal. There was a brief period early on when I wasn’t sure I’d make it, but I have manifested far more in the last year than I believed possible.
London offers opportunities and culture that greatly enriches my life – plus I’m constantly meeting really interesting, proactive people. This is where I belong right now.

This is a big fucking deal.

2012: My Favourite Music Video

I generally hate live performance music videos. They are rarely interesting, let alone innovative, and bands never look cool lip-syncing. My friend Simon sent me this video from a new Toronto band and it blew me away. Sharp editing, honest performance, streamlined art direction = I’m hooked.

Let this be a lesson to new bands: an effective music video can be simple and inexpensive – but it has to look great. It doesn’t hurt that this song is killer, too.

2012: Year of the Female Musician

One of my favourite things about the year-end is reading lists and essays about which music artists made the most impact and which albums were most critically-acclaimed in the past year. I am amazed that no one has pointed out how incredible a year 2012 was for women in music. Some of my favourite albums were written by and/or prominently featured a woman: Purity Ring’s Shrines, Grimes’ Visions, Kathleen Edwards’ Voyageur. 9 of my 20 favourite songs of the year, including my #1 (see previous post), were sung by a woman. 

I listen to a lot of female artists – I’m pretty certain I prefer the female voice to a male one – but I can’t think of another year since I became a conscious, devout consumer of new music that women have made such a significant mark on the popular music landscape and been recognized for it. I’m not sure if it’s inherently sexiest to point this out – music shouldn’t be judged by the gender of its creator(s) or performers – but I think it’s undeniable that women musicians have a harder time achieving success and critical acclaim than men. It shouldn’t be this way, so I really hope 2012 is a watershed year for female musicians.

The best album I heard in 2012, by far, was Fiona Apple’s The Idler Wheel…. I’ve always been a fan of hers, but this album is a refreshing evolution. The honesty of her lyrics and rawness of her vocal performances are perfectly matched with stark, inventive production. It’s beautiful and scary and affirming – what good art should be.